My animals are not stationary but are moving and movement is a pure event that exceeds logos. It is a progression of leaving records and self-erasure through the records. Because movement is continuous and accidental, we can not force it. In order to express the movement, it is necessary to read its trails, and track the velocity and intensity of the traces spatiotemporally. Movement is retroactively applied through traces. What remains on the canvas is the record of the movement, and we can only feel the ex post phenomenon of world that already became a ghost. An attempt to capture the movement is a criminal act because it is an attempt to directly express what can not be presented and what is indirect and retrospective. Therefore, painting work that puts the world into pictures is a performed event that records traces left by the movement. Because the world moves without any stopping, the work can not be an assertive and conative event. Thus, at the point where the subject is dead, the feet are lost, the scientific calculation is broken and frustrated and the point where it is deprived of languages and rights, the works are appeared-erased. The ghostlike reality appears violently in the works. Its record of the trail is not characteristic of painting(image). It is rather a character of the general world.

Also, the world is the aggregate of information. It is possible to distinguish individuals because of the cohesion of consecutive and accidental information, and the cohesion is manifested as a substance. The traces of movement are not different from the traces of information. The norm of the elementary particle movement in the microscopic world is “the uncertainty principle” and the identity of the sporadic movement is the generating-disappearing flow of information.

I have expressed objects (bodies) with colored line. They form each space and each time with movement that escapes from themselves by the inseparability of the background and the figure. And the backgrounds also penetrate into objects and take their own objects. The color-lines describe the unpredictability of movement and the background explains space and time. Now it is the background to possess the figure, not the painter or the spectator.

Artist’s Work

BiHop

Turtle, 2018
Oil and Acrylic on canvas 

BiHop

Swallowtail, 2018
Oil and Acrylic on canvas 

BiHop

Rabbit, 2018

BiHop

Jellyfish, 2018
Oil and Acrylic on canvas 

BiHop

Goldfish, 2018
Oil and Acrylic on canvas 

BiHop

Eagle, 2018
Oil and Acrylic on canvas 

BiHop

Tiger , 2018
Oil and Acrylic on canvas 

BiHop

Snake, 2018
Oil and Acrylic on canvas 

BiHop

Pheasant, 2018
Oil and Acrylic on canvas 

BiHop

Horse, 2018
Oil and Acrylic on canvas 

BiHop

Black goat, 2018
Oil and Acrylic on canvas 

BiHop

Deer, 2018
Oil and Acrylic on canvas 

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